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The cor anglais (, 〔Cambridge English Pronouncing Dictionary, (''cor anglais'' ), Cambridge University Press, 2011, p. 110〕〔Longman Pronunciation Dictionary, 3rd edition, Pearson Education Limited, 2008, p.185〕 or original 〔(''cor anglais'' ) in the Oxford English Dictionary〕) or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument actually sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes and so its sounding range stretches from E3 (written B natural) below middle C to C6 two octaves above middle C. ==Description and timbre== The pear-shaped bell of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'amore. Whereas the oboe is the soprano instrument of the oboe family, the cor anglais is generally regarded as the tenor member of the family, and the oboe d'amore—pitched between the two in the key of A—as the alto member.〔Norman Del Mar, ''Anatomy of the Orchestra'' (Berkeley: University of California Press, 1981): 143. ISBN 0-520-04500-9 (cloth); ISBN 0-520-05062-2.〕 The cor anglais is perceived to have a more mellow and plaintive tone than the oboe. Its appearance differs from the oboe in that the reed is attached to a slightly bent metal tube called the bocal, or crook, and the bell has a bulbous shape. It is also much longer. The cor anglais is usually notated in the treble clef, a perfect fifth higher than sounding. Some composers notated it in the bass clef, when the lower register was persistently used,〔William Alexander Barrett, ''An Introduction to Form and Instrumentation for the Use of Beginners in Composition'' (London, Oxford, and Cambridge: Rivingtons, 1879): 55.〕 and historically several other options were employed. Alto clef written at sounding pitch is occasionally used, even by as late a composer as Sergei Prokofiev. In late-18th and early-19th-century Italy, where the instrument was often played by bassoonists instead of oboists, it was notated in the bass clef an octave below sounding pitch (as found in Rossini's Overture to ''William Tell''). French operatic composers up to Fromental Halévy notated the instrument at sounding pitch in the mezzo-soprano clef, which enabled the player to read the part as if it were in the treble clef.〔 Although the instrument usually descends only to (written) low B, continental instruments with an extension to low B (sounding E) have existed since early in the 19th century.〔Hector Berlioz, ''Berlioz's Orchestration Treatise: A Translation and Commentary'', translated from the French by Hugh Macdonald (Cambridge Musical Texts and Monographs. Cambridge and New York: Cambridge University Press, 2002): 108. ISBN 0-521-23953-2.〕 Examples of works requiring this note (while acknowledging its exceptional nature) include Arnold Schoenberg's ''Gurre-Lieder'' and Gustav Mahler's ''Das Lied von der Erde''. Antonín Dvořák, in his ''Scherzo Capriccioso'', even writes for the cor anglais down to low A, though it seems unlikely that such an extension ever existed.〔Norman Del Mar, ''Anatomy of the Orchestra'' (Berkeley: University of California Press, 1981): 158–59. ISBN 0-520-04500-9 (cloth); ISBN 0-520-05062-2.〕 Reeds used to play the cor anglais are similar to those used for an oboe, consisting of a piece of cane folded in two. While the cane on an oboe reed is mounted on a small metal tube (the staple) partially covered in cork, there is no such cork on a cor anglais reed, which fits directly on the bocal. The cane part of the reed is wider and longer than that of the oboe. Unlike American style oboe reeds, cor anglais reeds typically have wire at the base, approximately 5 millimeters from the top of the string used to attach the cane to the staple. This wire serves to hold the two blades of cane together and stabilize tone and pitch. Perhaps the best-known makers of modern cors anglais are the French firms of F. Lorée, Marigaux and Rigoutat, the British firm of T. W. Howarth, and the American firm Fox. Instruments from smaller makers, such as A. Laubin, are also sought after. Instruments are usually made from African Blackwood (aka Grenadilla), although some makers offer instruments in a choice of alternative woods as well, such as cocobolo (Howarth) or violet wood (Lorée), which are said to alter the voice of the cor anglais slightly, reputedly making it even more mellow and warmer. Fox has recently made some instruments in plastic resin. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The cor anglais (, Cambridge English Pronouncing Dictionary, (''cor anglais'' ), Cambridge University Press, 2011, p. 110Longman Pronunciation Dictionary, 3rd edition, Pearson Education Limited, 2008, p.185 or original (''cor anglais'' ) in the Oxford English Dictionary)plural: ''cors anglais'', pronounced like the singular form),(definition of ''cor anglais'' in the Oxford Learner's Dictionaries ) Longman has /kɔːz/ for British and /kɔːrz/ for American --> or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe.The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument actually sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes and so its sounding range stretches from E3 (written B natural) below middle C to C6 two octaves above middle C.==Description and timbre==The pear-shaped bell of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'amore. Whereas the oboe is the soprano instrument of the oboe family, the cor anglais is generally regarded as the tenor member of the family, and the oboe d'amore—pitched between the two in the key of A—as the alto member.Norman Del Mar, ''Anatomy of the Orchestra'' (Berkeley: University of California Press, 1981): 143. ISBN 0-520-04500-9 (cloth); ISBN 0-520-05062-2. The cor anglais is perceived to have a more mellow and plaintive tone than the oboe. Its appearance differs from the oboe in that the reed is attached to a slightly bent metal tube called the bocal, or crook, and the bell has a bulbous shape. It is also much longer.The cor anglais is usually notated in the treble clef, a perfect fifth higher than sounding. Some composers notated it in the bass clef, when the lower register was persistently used,William Alexander Barrett, ''An Introduction to Form and Instrumentation for the Use of Beginners in Composition'' (London, Oxford, and Cambridge: Rivingtons, 1879): 55. and historically several other options were employed. Alto clef written at sounding pitch is occasionally used, even by as late a composer as Sergei Prokofiev. In late-18th and early-19th-century Italy, where the instrument was often played by bassoonists instead of oboists, it was notated in the bass clef an octave below sounding pitch (as found in Rossini's Overture to ''William Tell''). French operatic composers up to Fromental Halévy notated the instrument at sounding pitch in the mezzo-soprano clef, which enabled the player to read the part as if it were in the treble clef.Although the instrument usually descends only to (written) low B, continental instruments with an extension to low B (sounding E) have existed since early in the 19th century.Hector Berlioz, ''Berlioz's Orchestration Treatise: A Translation and Commentary'', translated from the French by Hugh Macdonald (Cambridge Musical Texts and Monographs. Cambridge and New York: Cambridge University Press, 2002): 108. ISBN 0-521-23953-2. Examples of works requiring this note (while acknowledging its exceptional nature) include Arnold Schoenberg's ''Gurre-Lieder'' and Gustav Mahler's ''Das Lied von der Erde''. Antonín Dvořák, in his ''Scherzo Capriccioso'', even writes for the cor anglais down to low A, though it seems unlikely that such an extension ever existed.Norman Del Mar, ''Anatomy of the Orchestra'' (Berkeley: University of California Press, 1981): 158–59. ISBN 0-520-04500-9 (cloth); ISBN 0-520-05062-2.Reeds used to play the cor anglais are similar to those used for an oboe, consisting of a piece of cane folded in two. While the cane on an oboe reed is mounted on a small metal tube (the staple) partially covered in cork, there is no such cork on a cor anglais reed, which fits directly on the bocal. The cane part of the reed is wider and longer than that of the oboe. Unlike American style oboe reeds, cor anglais reeds typically have wire at the base, approximately 5 millimeters from the top of the string used to attach the cane to the staple. This wire serves to hold the two blades of cane together and stabilize tone and pitch.Perhaps the best-known makers of modern cors anglais are the French firms of F. Lorée, Marigaux and Rigoutat, the British firm of T. W. Howarth, and the American firm Fox. Instruments from smaller makers, such as A. Laubin, are also sought after. Instruments are usually made from African Blackwood (aka Grenadilla), although some makers offer instruments in a choice of alternative woods as well, such as cocobolo (Howarth) or violet wood (Lorée), which are said to alter the voice of the cor anglais slightly, reputedly making it even more mellow and warmer. Fox has recently made some instruments in plastic resin.」の詳細全文を読む スポンサード リンク
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